Confluenze Festival 2025
From July 4th to 6th, something new and hopefully different is landing in Termoli, a small, under-the-radar coastal town in Molise, southern Italy. It’s called Confluenze, and while it’s technically a music festival, that description barely scratches the surface. Think of it more as a curated experience where electronic sound and real cultural dialogue collide, a format that’s as much about ideas as it is about dancing and having-a-good-time.
The brains behind it are young, but not newcomers. After spending many years immersed in Berlin’s and, more broadly, Europe’s underground milieu, contributing to its scenes and soaking up its raw creative energy, the team is boldly bringing that spirit to Italy. But, be careful, this isn’t about importing Berlin aesthetics wholesale, it’s about translating that freedom and collaborative spirit into something and somewhere new, shaped by a different landscape, a different pace, and a different kind of beauty. And, as many might know, doing it in a new place, in southern Italy, can be seen as an act of love, and courage.
Talking about beauty, well, Termoli’s got plenty of that. The festival unfolds across the town: from sunrise sets by the sea to workshops in the nature, from underground energy to cultural encounters in iconic cultural spots like Piazza del Duomo and the stunning Teatro Verde (a FAI-protected site, part of Italy’s National Trust dedicated to preserving artistic and natural heritage). It's the kind of setting that makes you feel like you're part of something grounded and forward-thinking.
What makes Confluenze prospectively special isn’t just the setting, or even the lineup, although that’s packed: A Guy Called Gerald (Live), Margaret Dygas, Nicolas Lutz, Binh, Mathew Jonson (Live), Gwenan, DMX Krew (Live), Alexia Glensy, Ma.To and a whole range of emerging names, local heroes, and scene staples. What makes it special is the structure around the music. A whole parallel program of workshops, masterclasses, and talks will dig into the culture and mechanics behind the music. From how to start a label from scratch to sessions on art direction, AI in music, gender dynamics in the global DJ scene, the impact of environmental change on festival culture, and some more nerdy stuff like modular synthesis or mix & mastering. It’s all there, and it’s being led by people who actually live what they teach. The impression that we got, as of now, is that Confluenze isn’t about content for content’s sake. It’s more about substance, and a potential chance for artists, professionals, and curious minds to meet and share.
The people organising this 3-day long event have done their homework. They’ve spent time making sure the needs of artists, attendees, guests, and the local community are genuinely considered. Nothing feels accidental nor rushed. It’s young energy, but with a level of care and precision that you don’t always see at first editions. There’s a will to highlight and protect the local territory. That means embracing Termoli for what it is: its coast, its historical landmarks and atmosphere. The festival’s intention is not to override the space, but to work with it, and to show how something deeply rooted in place can still reach globally.
We at Apparel Music, through our internal creative agency APLHub, are proud to have supported the visual development of the project, from graphic design to art direction and a bit of communication. We drew inspiration from Termoli’s colors, shapes, and charm to craft the visual experience. It's what we do: helping to develop well-built ideas and make them visible with intention. With Confluenze, we’ve had the pleasure of working with a team that’s open, smart, and driven by a cool vision, not trends. For all these reasons, we’re curious to see how it grows, and excited to be there when it starts. We’ll keep you posted and let you know how it went. The festival is backed by a wide network of partners from across the music world, agencies, crews, and independent players. And while the first edition is just getting started, there’s already the feeling that this is a seed planted with care, not a product rushed to market.
The brains behind it are young, but not newcomers. After spending many years immersed in Berlin’s and, more broadly, Europe’s underground milieu, contributing to its scenes and soaking up its raw creative energy, the team is boldly bringing that spirit to Italy. But, be careful, this isn’t about importing Berlin aesthetics wholesale, it’s about translating that freedom and collaborative spirit into something and somewhere new, shaped by a different landscape, a different pace, and a different kind of beauty. And, as many might know, doing it in a new place, in southern Italy, can be seen as an act of love, and courage.
Talking about beauty, well, Termoli’s got plenty of that. The festival unfolds across the town: from sunrise sets by the sea to workshops in the nature, from underground energy to cultural encounters in iconic cultural spotslike Piazza del Duomo and the stunning Teatro Verde (a FAI-protected site, part of Italy’s National Trust dedicated to preserving artistic and natural heritage). It's the kind of setting that makes you feel like you're part of something grounded and forward-thinking.
What makes Confluenze prospectively special isn’t just the setting, or even the lineup, although that’s packed: A Guy Called Gerald (Live), Margaret Dygas, Nicolas Lutz, Binh, Mathew Jonson (Live), Gwenan, DMX Krew (Live), Alexia Glensy, Ma.To and a whole range of emerging names, local heroes, and scene staples. What makes it special is the structure around the music. A whole parallel program of workshops, masterclasses, and talks will dig into the culture and mechanics behind the music. From how to start a label from scratch to sessions on art direction, AI in music, gender dynamics in the global DJ scene, the impact of environmental change on festival culture, and some more nerdy stuff like modular synthesis or mix & mastering. It’s all there, and it’s being led by people who actually live what they teach. The impression that we got, as of now, is that Confluenze isn’t about content for content’s sake. It’s more about substance, and a potential chance for artists, professionals, and curious minds to meet and share.
The people organising this 3-day long event have done their homework. They’ve spent time making sure the needs of artists, attendees, guests, and the local community are genuinely considered. Nothing feels accidental nor rushed. It’s young energy, but with a level of care and precision that you don’t always see at first editions. There’s a will to highlight and protect the local territory. That means embracing Termoli for what it is: its coast, its historical landmarks and atmosphere. The festival’s intention is not to override the space, but to work with it, and to show how something deeply rooted in place can still reach globally.
We at Apparel Music, through our internal creative agency APLHub, are proud to have supported the visual development of the project, from graphic design to art direction and a bit of communication. We drew inspiration from Termoli’s colors, shapes, and charm to craft the visual experience. It's what we do: helping to develop well-built ideas and make them visible with intention. With Confluenze, we’ve had the pleasure of working with a team that’s open, smart, and driven by a cool vision, not trends. For all these reasons, we’re curious to see how it grows, and excited to be there when it starts. We’ll keep you posted and let you know how it went. The festival is backed by a wide network of partners from across the music world, agencies, crews, and independent players. And while the first edition is just getting started, there’s already the feeling that this is a seed planted with care, not a product rushed to market.
